Tons of Friends
(Southern Fried / Universal)
After the brothers arrive here Phra Bloody Beetroots Bot and with their maximum opus. And they are the center, with all the necessary distinction and the necessary clearances. Although the two masked heroes with "Romborama" are for many "shit out of the pot," there is no doubt their value, especially in light of their recent developments such as The Bloody Beetroots Death Crew 77. Bob's speech Rifo is, say, political. He comes from punk ec'ha those ideas in mind: the anarchy, the screaming, the Tupa Tupa, distortions, proclamations, the mythical aura of its corpus recast. Crookers is that of an entirely different dough. Attorniatisi majors and reached the top, with tours on tour and remix remix (let us remember?), Friends of all types and stack (never seen such an audience of stars in a disc made in Italy!), Arrive work to pack up to date, exciting, rich, but not limited to the dancefloor, which differs much from other similar works (origins of Digitalism, Justice, Vitalic, Boys Noize) to approach only a few exceptions (the beginnings of Tiga, Major Lazer, Dizzee Rascal). "Tons of Friends" is in fact below the ideal of "Gunz do not kill people, Lazers do!" that intercourse with the sophistication of a production ear pop "Sexor" or "Hello." The beauty is that in addition to stars like Will I. Am, Kelis, Soulwax, (Cheaper) Roisin Murphy, Kid Cudi (how could he miss it!), Miike Snow, Yelle, Tim Burgess (Charlatans yes! that of!) And the same Major Lazer, Phra and Bot bring honor International one of the best and most original contemporary Italian producers and Mc: Dargen D'Amico (the most healthy out of the Dogo Gang, let's face it!), in addition to having the honor of intro and outro of the Italian version (beats Fabri Fibra and Samuel The other two guest homegrown disc: relegated to mere extra tracks their appearances), is the only artist who is abroad in Italy "Tons of Friends." It is not the becerume Italiot of pop, but it is the underground (now on a bit 'less ... everyone to brush up on "Music Without Music" and the bible "of formal defects of Virtue"), shining light its next to The Very Best of the Marina and Bonde do Role in "Birthday Bash". And the rest is a whirlwind that leaves a great time with Soulwax and Mixhell of the copula in the initial "We Love Animals" (I want to quote a piece in the middle of the bomb, but found only in digital, such as "Hip Hop Changed" with Rye Rye ) and ends with a Kid Cudi before joking with a cappella of "Day N Nite" and then melts in the "Embrace The Martian", a syncopated rapping in the chorus that turns soul-filled pop. In the midst of everything, but everything that does not tire from start to finish, all done in a song, before pieces killer for the dancefloor. Next step? Lady Gaga or Dizzee Rascal may be interested in my opinion ...
Barnaba Ponchielli aka Blood Disken
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