Dolphins
(Thrill Jockey)
Mi Ami, for the uninitiated, is the reincarnation of that pearl Dischord post-punk splattered with license plate called Black Eyes . How to apply the hyperkinesis of Blood Brothers and Paper Chase to a subject art funk know so much about what the Talking Heads Prince and Fugazi, p-funk and afro bacchanalia. Two apocalyptic album is simply heavenly and then the end of the games and the transformation in another. Here, with these four dolphins, the trio (now duo) is a step further and, after the excellent "Watersports" (2009) and " Steal Your Face" (2010), the square next to ! , if not exceed them. Left by the steering of abrasive post-punk guitars of previous records, Damon Palermo and Daniel Martin-McCormick (of which, among other things, we must remember the crazy solo project Sex Worker , we will return for sure), dive in liquidissimo aerostatic and a dancefloor, but also because of minimal electronic minimalist beat from fat but smooth, all of fluorescent filthy kraut rock and synth that would be a stain to Tiga a James Holden. Following in the footsteps of last ! and beyond, we will, no doubt. The acute, splashed acid and voice of Daniel, is coupled with the perfect riding electronic Damon, and projects the listener on a dancefloor moon, made of colored strobe lights and psychedelic. Difficult to remain indifferent to the lysergic pasta packaged by two hard not to be fascinated and bewitched. Certainly hear about it.
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